5 cuotas sin interés en toda la tienda con
5 cuotas sin interés en toda la tienda con
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Cuerdas Magma GE220N para Guitarra Electrica Nickel p/Steel .010-.056
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Encordado D’Addario EXL125 para Guitarra Eléctrica 09-46
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Encordado Daddario 0.10 Exl110 para Guitarra Electrica
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Encordado Daddario Exl115 para Guitarra Electrica Calibre 011-049
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Encordado Daddario Exl145 012/.016/.020P/.032/
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Encordado Daddario Niquel Epn120 009-041
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Encordado Exl120
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Encordado Exl130
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Encordado Exl158
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Encordado Guitarra Eléctrica Doble Teflonado Anti Oxidante 09-11-16-24-32-42
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Encordado Guitarra Eléctrica Doble Teflonado Anti Oxidante 10-13-17-26-36-46
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Encordado Guitarra Eléctrica Ernie Ball Slinky P02625 10 74
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Encordado Guitarra Eléctrica Nickel Round Wound 09-11-16-26-36-46
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Encordado Guitarra Eléctrica Nickel Round Wound 12-16-24-32-42-52
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Encordado Guitarra Eléctrica Nickel Round Wound 13-17-26-36-46-56
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.