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- AMPHENOL 43
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Adaptador Plug 6.5 Mono Macho A Jack Miniplug 3.5 Hembra Stereo 90 Grados Arwen AU1 90
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Adaptador Plug 6.5 Stereo a 2 Jack Miniplug 3.5 Hembra Stereo Arwen AU14
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Adaptador Plug 6.5 Stereo a 2 Jack Plug 6.5 Hembra Stereo Arwen AU13
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Adaptador Plug 6.5 Stereo a Canon XLR Hembra Roxtone RA3XFJM
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Adaptador Plug 6.5 Stereo a Canon XLR Macho Roxtone RA3XMJM
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Adaptador Plug 6.5 Stereo a Jack Miniplug 3.5 Hembra Stereo 90 Grados Arwen AU-2 90
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Adaptador Plug 6.5 Stereo a Jack Miniplug 3.5 Hembra Stereo Arwen AU2
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Adaptador Plug 6.5 Stereo a Jack Miniplug 3.5 Hembra Stereo Arwen AU2MET
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Adaptador Plug 6.5 Stereo a Jack Miniplug 3.5 Hembra Stereo Con Rosca Arwen AU2-MET-ROSCA
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Alargue Auricular Cable 3,5 4P Macho/Hembra High Quality 2Mts
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Alargue auricular Cable 3,5 4P Macho/Hembra High Quality 4Mts
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Cable 1 Plug 6.5St a 2 Plug 6.5 MN Studio Z ZPCY14S14DMN3 90cm
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Cable 2 Plug Macho Mono a 2 Plug Macho Mono de 2 Metros Roxtone SACC100L2
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Cable 2 Plug Macho Mono a 2 Plug Macho Mono de 3 Metros Roxtone SACC100L3
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Cable 2 RCA Macho a 2 Canon XLR Hembra de 2 Metros Roxtone SACC170L2
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.